Cello Practice, Cello Performance by Miranda Wilson (2015 Paperback) – Cellists

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Características del artículo

Estado
En muy buen estado: Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un ...
Book Title
Cello Practice, Cello Performance
ISBN-13
9781442246775
ISBN
9781442246775
Categoría

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Product Identifiers

Publisher
Bloomsbury Publishing USA
ISBN-10
1442246774
ISBN-13
9781442246775
eBay Product ID (ePID)
208667898

Product Key Features

Number of Pages
154 Pages
Publication Name
Cello Practice, Cello Performance
Language
English
Subject
Instruction & Study / General, Musical Instruments / Strings, Instruction & Study / Exercises
Publication Year
2015
Type
Textbook
Subject Area
Music
Author
Miranda Wilson
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
15.7 Oz
Item Length
10.8 in
Item Width
8.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2014-049732
Reviews
This book is an excellent resource for advanced cellists (tertiary students, professional players and teachers). By exploring strategies for playing the cello both effectively and efficiently, players are encouraged to become their own best teacher. As professor of cello at the University of Idaho, Wilson's experience and knowledge as a performer and teacher is evident throughout this comprehensive, well planned and easy to read book. Central to Wilson's ideas on technique, is her 'whole-body' approach, where both arm-movements, breathing and the intellect are mutually interconnected. There is a particularly good chapter delving into the principal challenges of cello playing; here Wilson discusses common problems and provides solutions. The first-rate section on 'Habits for Efficient Practice' is meticulously prepared and thorough, and is expanded by demonstrating how to invent etudes for improved practice on difficult technical passages in the repertoire. Wilson discusses intonation in great detail and gives examples in different contexts, as well as providing a step-by-step guide to every key. Throughout, the text is well illustrated with exercises and many examples from the solo and chamber music repertoire. This is one of the better books that I have come across on the application of core technique., "This book is an excellent resource for advanced cellists (tertiary students, professional players and teachers). By exploring strategies for playing the cello both effectively and efficiently, players are encouraged to become their own best teacher. As professor of cello at the University of Idaho, Wilson's experience and knowledge as a performer and teacher is evident throughout this comprehensive, well planned and easy to read book. Central to Wilson's ideas on technique, is her 'whole-body' approach, where both arm-movements, breathing and the intellect are mutually interconnected. There is a particularly good chapter delving into the principal challenges of cello playing; here Wilson discusses common problems and provides solutions. The first-rate section on 'Habits for Efficient Practice' is meticulously prepared and thorough, and is expanded by demonstrating how to invent etudes for improved practice on difficult technical passages in the repertoire. Wilson discusses intonation in great detail and gives examples in different contexts, as well as providing a step-by-step guide to every key. Throughout, the text is well illustrated with exercises and many examples from the solo and chamber music repertoire. This is one of the better books that I have come across on the application of core technique." -- Stringendo
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
787.4/193
Table Of Content
List of Figures List of Tables Acknowledgments Introduction Part 1: Fundamental Principles Chapter 1: Whole-Body Cello Playing Chapter 2: Warm-Ups for the Fundamentals of Cello Playing Chapter 3: The Inherent Expressiveness of Good Intonation Chapter 4: Solutions to the Challenges of Cello Playing Chapter 5: Habits for Efficient Practice Part 2: Repertoire in Practice and Performance Chapter 6: Harmonic Intonation in All Major and Minor Keys Chapter 7: Composing Your Own Etudes Chapter 8: A Practice Session on Fauré's Elégie Conclusion Appendix: Non-Diatonic Scales and Arpeggios Bibliography
Synopsis
What does it mean to perform expressively on the cello? In Cello Practice, Cello Performance, professor Miranda Wilson teaches that effectiveness on the concert stage or in an audition reflects the intensity, efficiency, and organization of your practice. Far from being a mysterious gift randomly bestowed on a lucky few, successful cello performance is, in fact, a learnable skill that any player can master. Most other instructional works for cellists address techniques for each hand individually, as if their movements were independent. In Cello Practice, Cello Performance, Wilson demonstrates that the movements of the hands are vitally interdependent, supporting and empowering one another in any technical action. Original exercises in the fundamentals of cello playing include cross-lateral exercises, mindful breathing, and one of the most detailed discussions of intonation in the cello literature. Wilson translates this practice-room success to the concert hall through chapters on performance-focused practice, performance anxiety, and common interpretive challenges of cello playing. This book is a resource for all advanced cellists-college-bound high school students, undergraduate and graduate students, educators, and professional performers-and teaches them how to be their own best teachers., Most other works that instruct cellists in the art of playing their instrument come in two predictable forms--emphasizing either the left hand or the right hand or instructing string players in the use of both but separately. Wilson argues that the movements of the hands are vitally interdependent, supporting one another in any technical action., What does it mean to perform expressively on the cello? In Cello Practice, Cello Performance, professor Miranda Wilson teaches that effectiveness on the concert stage or in an audition reflects the intensity, efficiency, and organization of your practice. Far from being a mysterious gift randomly bestowed on a lucky few, successful cello performance is, in fact, a learnable skill that any player can master. Most other instructional works for cellists address techniques for each hand individually, as if their movements were independent. In Cello Practice, Cello Performance, Wilson demonstrates that the movements of the hands are vitally interdependent, supporting and empowering one another in any technical action. Original exercises in the fundamentals of cello playing include cross-lateral exercises, mindful breathing, and one of the most detailed discussions of intonation in the cello literature. Wilson translates this practice-room success to the concert hall through chapters on performance-focused practice, performance anxiety, and common interpretive challenges of cello playing. This book is a resource for all advanced cellists--college-bound high school students, undergraduate and graduate students, educators, and professional performers--and teaches them how to be their own best teachers.
LC Classification Number
MT300.W55 2015

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