Goodbye, World! by Omar Kholeif (Paperback, 2018) Sternberg Press

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Country of Origin
DE
ISBN
9783956793097

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Product Identifiers

Publisher
Sternberg Press
ISBN-10
3956793099
ISBN-13
9783956793097
eBay Product ID (ePID)
24038770749

Product Key Features

Book Title
Goodbye, World! : Looking at Art in the Digital Age
Number of Pages
212 Pages
Language
English
Publication Year
2018
Topic
Web / Social Media, Criticism & Theory, Digital
Genre
Art, Computers
Author
Omar Kholeif
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
9.9 Oz
Item Length
7.7 in
Item Width
5.1 in

Additional Product Features

Intended Audience
Trade
Synopsis
The way we see the world has changed drastically since nASA released the blue marble image taken in 1972. no longer a placid slow-moving orb, the world is a hothouse of activity and hyper-connectivity that cannot keep up with its inhabitants. The internet has collectively bound human society, replacing the world as the network of all networks. In Goodbye, World! Looking at Art in the Digital Age, curator Omar Kholeif traces the birth of a culture propagated but also consumed by this digitized network. focusing on a cultural and artistic landscape that has taken shape since the year 2000, Kholeif aims to put into context a new language that has emerged through post-millennial technologies, and argues for a new, post-digital condition. Part memoir, part critical analysis, this book is for anyone who is interested in the changing world of the internet. Kholeif is a writer, curator, and editor whose work focuses on the intersection of art, politics, urbanism, and emerging technologies. He is the Manilow senior curator and director of global initiatives at the Museum of Contemporary Art, Chicago., A look at how the internet and post-millenial technologies have transformed our ways of seeing and birthed a new form of culture. The way we see the world has changed drastically since NASA released the "blue marble" image of the earth taken by Apollo 17 in 1972. No longer a placid slow-moving orb, the world is now perceived as a hothouse of activity and hyper-connectivity that cannot keep up with its inhabitants. The internet has collectively bound human society, replacing the world as the network of all networks. In Goodbye, World Looking at Art in the Digital Age , writer and curator Omar Kholeif traces the birth of a culture propagated but also consumed by this digitized network. Has the internet transformed the way we see and relate to images? How has the field of perception been altered by evolving technologies, pervasive distribution, and our interaction with screens? How have artists working in diverse contexts, from eBay auctions to augmented reality, created new ways of emoting that are determined by these technologies? Focusing on a cultural and artistic landscape that has taken shape since the year 2000, Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition. Taking cues from John Berger's Ways of Seeing and Alvin Toffler's Future Shock , this book--part memoir, part critical analysis--should prove essential for anyone interested in the changing world of the internet., A look at how the internet and post-millenial technologies have transformed our ways of seeing and birthed a new form of culture. The way we see the world has changed drastically since NASA released the "blue marble" image of the earth taken by Apollo 17 in 1972. No longer a placid slow-moving orb, the world is now perceived as a hothouse of activity and hyper-connectivity that cannot keep up with its inhabitants. The internet has collectively bound human society, replacing the world as the network of all networks. In Goodbye, World! Looking at Art in the Digital Age , writer and curator Omar Kholeif traces the birth of a culture propagated but also consumed by this digitized network. Has the internet transformed the way we see and relate to images? How has the field of perception been altered by evolving technologies, pervasive distribution, and our interaction with screens? How have artists working in diverse contexts, from eBay auctions to augmented reality, created new ways of emoting that are determined by these technologies? Focusing on a cultural and artistic landscape that has taken shape since the year 2000, Kholeif aims to put into context a new language for seeing, feeling, and being that has emerged through post-millennial technologies, and argues for a nuanced understanding of the post-digital condition. Taking cues from John Berger's Ways of Seeing and Alvin Toffler's Future Shock , this book-part memoir, part critical analysis-should prove essential for anyone interested in the changing world of the internet.

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