Mary Cassatt Prints and Drawings from the Artist's Studio 2000 Studio Collection

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“Unmarked, text and color photographs/illustrations appear free of highlighting, creasing, ”... Más informaciónacerca del estado
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N.º de artículo de eBay:116345871278
Última actualización el 25 sep 2025 16:04:13 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
En buen estado
Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, incluidas rozaduras, pero sin roturas ni agujeros. Es posible que no incluya sobrecubierta para tapas duras. Tapa muy poco desgastada. La mayoría de las páginas están en buen estado con muy pocas arrugas o roturas. El texto subrayado a lápiz es prácticamente inexistente, no hay texto resaltado ni anotaciones en los márgenes. No faltan páginas. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección. Ver todas las definiciones de estadose abre en una nueva ventana o pestaña
Notas del vendedor
“Unmarked, text and color photographs/illustrations appear free of highlighting, creasing, ...
Features
color, illustrated, paperback,
Personalize
No
Ex Libris
No
Edition
2000
Type
art book, art catalogue, art monograph
Personalized
No
Vintage
Yes
Narrative Type
Nonfiction
Era
1900s
Book Series
Mary Cassatt, monography, art book, prints and drawings Mary Cass
Signed
No
Inscribed
No
ISBN
9780691088877

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Product Identifiers

Publisher
Princeton University Press
ISBN-10
069108887X
ISBN-13
9780691088877
eBay Product ID (ePID)
14038439158

Product Key Features

Book Title
Mary Cassatt : Prints and Drawings from the Artist's Studio
Number of Pages
148 Pages
Language
English
Publication Year
2000
Topic
History / Modern (Late 19th Century to 1945), Individual Artists / General
Illustrator
Yes
Genre
Art
Author
Warren Adelson, Marc Rosen, Jay E. Cantor, Barbara Stern Shapiro, Susan Pinsky
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
28 Oz
Item Length
11 in
Item Width
8.8 in

Additional Product Features

Intended Audience
Trade
LCCN
00-109349
Dewey Edition
21
Reviews
For anyone with a special interest in the aesthetics and connoisseurship of modern printmaking, this show and its scrupulously annotated catalog are not to be missed. ---Hilton Kramer, New York Observer, [Cassatt] may have taken fashion and motherhood as her subjects, but she did so with a triumphant post-feminist calm, before feminism itself had been invented . . . Engaging her printwork may be, it is also deft and inventive . . . Mary Cassatt portrays a vastly more experimental artist than the one suggested by her more considered pastels and oils. ---Charles Darwent, Times Literary Supplement, "[Cassatt] may have taken fashion and motherhood as her subjects, but she did so with a triumphant post-feminist calm, before feminism itself had been invented . . . Engaging her printwork may be, it is also deft and inventive . . . Mary Cassatt portrays a vastly more experimental artist than the one suggested by her more considered pastels and oils." ---Charles Darwent, Times Literary Supplement, "For anyone with a special interest in the aesthetics and connoisseurship of modern printmaking, this show and its scrupulously annotated catalog are not to be missed." --Hilton Kramer, New York Observer, "[Cassatt] may have taken fashion and motherhood as her subjects, but she did so with a triumphant post-feminist calm, before feminism itself had been invented . . . Engaging her printwork may be, it is also deft and inventive . . . Mary Cassatt portrays a vastly more experimental artist than the one suggested by her more considered pastels and oils." --Charles Darwent, Times Literary Supplement, "For anyone with a special interest in the aesthetics and connoisseurship of modern printmaking, this show and its scrupulously annotated catalog are not to be missed." ---Hilton Kramer, New York Observer
Dewey Decimal
759.1/3
Synopsis
One of the greatest--and most popular--of the Impressionists, Mary Cassatt created some of her most inventive and appealing images in the print medium. Documenting a startling new discovery, this exquisitely produced book unveils 204 major prints and drawings that have been sequestered in a private collection for nearly half a century. Sometime before 1914, as Cassatt neared the end of her career, she was coaxed into selling her "studio collection"--etchings, monotypes, color aquatints, and drawings that she had kept for sentimental or archival purposes--to the dealer Ambroise Vollard. He added a few pieces to the collection from other notable Cassatt fans, including her friend Edgar Degas. When World War I disrupted the art market, Vollard tucked this remarkable collection away and never exhibited it before his death on the eve of World War II. The entire group was acquired by a French collector, who showed only a few works to friends and selected members of the art community. Many of the prints, which are in pristine condition, are previously unknown variants of Cassatt's work; others have never before been seen in any version. Because Cassatt's output as a printmaker was quite small and because her color prints are praised for being among her most radically innovative works, this discovery is an extraordinary event in an art world where demand for Cassatt's art seems insatiable. The catalogue section of the book documents in exacting detail and in superb illustrations the 41 color prints, 127 black-and-white prints, and 36 drawings that constitute what is now known as the studio collection. Essays by leading experts tell the story of this rare collection and explore Cassatt's virtuosity as a printmaker. The result is an important and unusually beautiful publication that will intensify interest in this much-loved artist and stimulate a new appreciation of her significant contributions to modern printmaking.

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