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Making Tootsie By Susan Dworkin, Dustin Hoffman & Sydney Pollack, classic film
lizzh
(3126)
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“Paperback in Very Good condition with some occasional underlining, mild reading and shelf wear. See ”... Más informaciónacerca del estado
- ¡Cómpralo ya!Making Tootsie By Susan Dworkin, Dustin Hoffman & Sydney Pollack, classic film
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Ubicado en: Fenton, Michigan, Estados Unidos
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Entrega prevista entre el mié. 3 dic. y el lun. 8 dic. a 94104
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N.º de artículo de eBay:114078129974
Última actualización el 07 dic 2024 23:08:23 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
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- En buen estado
- Notas del vendedor
- ISBN
- 9781557049667
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Product Identifiers
Publisher
HarperCollins
ISBN-10
1557049661
ISBN-13
9781557049667
eBay Product ID (ePID)
154395452
Product Key Features
Book Title
Making Tootsie : inside the Classic Film with Dustin Hoffman and Sydney Pollack
Number of Pages
160 Pages
Language
English
Topic
Film / General, Media Tie-In
Publication Year
2012
Illustrator
Yes
Genre
Performing Arts, Fiction
Book Series
Shooting Script Ser.
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
6.7 Oz
Item Length
5.7 in
Item Width
8.1 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
21
Reviews
"I once said that wanted to be a screenwriter was like wanting to be a co-pilot. Ms. Dworkin captures that perfectly...Making Tootsie has a sense of making a movie that very few books have." - John Gregory Dunne "A must for all film buffs [includes] revealing interviews with Hoffman and Pollack as well as a fascinating section on make-up and costumes." - Patricia Bosworth "This fluid, marvelously detailed book goes a long way toward explaining why Tootsie has already achieved a reputation as a classic film comedy...Making Tootsie is more than a pleasing photo-filled souvenir of a popular hit. Books about the making of movies are plentiful; honest ones are rare." - People " A perceptive and provocative work...Dworkin cuts through the filmmaking process' technical lingo and yet manages to maintain a respect for the dynamics that result in a successful film." - Los Angeles Times "A stunning job of research, observation and reporting." - Larry Gelbart, co-writer of Tootsie and writer on the M*A*S*H* TV series, "Superb…worth a semester of film school." -David Brown, producer ofJaws" "Rarely do we have that complex creative process revealed to us with such sensitivity and insight…Susan Dworkin'sMaking Tootsieis an important study, in a class with Lillian Ross's Picture and John Gregory Dunne'sThe Studio. Everyone who seriously cares about movies has to read it." -Digby Diehl,Los Angeles Herald Examiner "Informative, crisply written and worthwhile…an intelligent account of the production of the hit movie (and) a remarkably full portrait of Hoffman the actor." -Washington Post Book World "Making Tootsiehas a sense of making a movie that very few books have." -John Gregory Dunne "Tootsiehas already achieved a reputation as a classic film comedy. Dworkin's fluid, marvelously detailed book goes a long way toward explaining why." -People, "Superb&worth a semester of film school." -David Brown, producer of Jaws " "Rarely do we have that complex creative process revealed to us with such sensitivity and insight&Susan Dworkin's Making Tootsie is an important study, in a class with Lillian Ross's Picture and John Gregory Dunne's The Studio . Everyone who seriously cares about movies has to read it." -Digby Diehl, Los Angeles Herald Examiner "Informative, crisply written and worthwhile&an intelligent account of the production of the hit movie (and) a remarkably full portrait of Hoffman the actor." - Washington Post Book World " Making Tootsie has a sense of making a movie that very few books have." -John Gregory Dunne " Tootsie has already achieved a reputation as a classic film comedy. Dworkin's fluid, marvelously detailed book goes a long way toward explaining why." - People, I once said that wanted to be a screenwriter was like wanting to be a co-pilot. Ms. Dworkin captures that perfectly…Making Tootsie has a sense of making a movie that very few books have., 'A must for all film buffs [includes] revealing interviews with Hoffman and Pollack as well as a fascinating section on make-up and costumes.'(Patricia Bosworth), This fluid, marvelously detailed book goes a long way toward explaining why Tootsie has already achieved a reputation as a classic film comedy…Making Tootsie is more than a pleasing photo-filled souvenir of a popular hit. Books about the making of movies are plentiful; honest ones are rare., A must for all film buffs [includes] revealing interviews with Hoffman and Pollack as well as a fascinating section on make-up and costumes., "Superb…worth a semester of film school." -David Brown, producer of Jaws " "Rarely do we have that complex creative process revealed to us with such sensitivity and insight…Susan Dworkin's Making Tootsie is an important study, in a class with Lillian Ross's Picture and John Gregory Dunne's The Studio . Everyone who seriously cares about movies has to read it." -Digby Diehl, Los Angeles Herald Examiner "Informative, crisply written and worthwhile…an intelligent account of the production of the hit movie (and) a remarkably full portrait of Hoffman the actor." - Washington Post Book World " Making Tootsie has a sense of making a movie that very few books have." -John Gregory Dunne " Tootsie has already achieved a reputation as a classic film comedy. Dworkin's fluid, marvelously detailed book goes a long way toward explaining why." - People, "This fluid, marvelously detailed book goes a long way toward explaining why Tootsie has already achieved a reputation as a classic film comedy...Making Tootsie is more than a pleasing photo-filled souvenir of a popular hit. Books about the making of movies are plentiful; honest ones are rare." -- People " A perceptive and provocative work...Dworkin cuts through the filmmaking process' technical lingo and yet manages to maintain a respect for the dynamics that result in a successful film." -- Los Angeles Times "I once said that wanted to be a screenwriter was like wanting to be a co-pilot. Ms. Dworkin captures that perfectly...Making Tootsie has a sense of making a movie that very few books have." -- John Gregory Dunne "A must for all film buffs [includes] revealing interviews with Hoffman and Pollack as well as a fascinating section on make-up and costumes." -- Patricia Bosworth "A stunning job of research, observation and reporting." -- Larry Gelbart, co-writer of Tootsie and writer on the M*A*S*H* TV series, A perceptive and provocative work…Dworkin cuts through the filmmaking process' technical lingo and yet manages to maintain a respect for the dynamics that result in a successful film.
Number of Volumes
86 Bks.
Dewey Decimal
791.4/372
Synopsis
In 1982, two superbly talented and driven men--director Sydney Pollack and actor Dustin Hoffman--collaborated to create what became an enduring classic: a movie about a serious, out-of-work actor who takes on the challenge of playing a woman in a TV soap opera and becomes a better man for it. Hoffman had already dedicated four years to the comedy. Pollack was hot off of Absence of Malice when he chose the project, which had lost two earlier directors, had no final guiding script at the start of production, and was the butt of many Hollywood bad jokes. As the only journalist Pollack and Columbia Pictures permitted on the set and in the editing room, Susan Dworkin, a playwright, award-winning documentary writer, and Ms. magazine contributing editor, conducted in-depth interviews not only with its director and star but also with the costume designer, the film editors, costars Teri Garr, Bill Murray, and Dabney Coleman, and many others. In Making -Tootsie,' Dworkin captures their voices while describing how the movie became an award-winning box office sensation and the classic motion picture that the American Film Institute rates as number two on its list of the 100 Funniest American Movies of All Time., "A perceptive and provocative work." -- Los Angeles Times "A stunning job of research, observation and reporting." --Larry Gelbart, co-writer of Tootsie and writer on TV's "M*A*S*H*" "This fluid, marvelously detailed book goes a long way toward explaining why Tootsie has already achieved a reputation as a classic film comedy." -- People Making Tootsie is back, three decades after the creation of the blockbuster Hollywood motion picture that the American Film Institute rated as #2 on its list of the 100 Best Comedies of All Time (second only to Some Like it Hot ). Playwright, author, and Ms. magazine contributing writer Susan Dworkin was granted unprecedented access to the film set, the cast, and the crew during the filming and through post-production of the 1982 classic, and her riveting, detailed chronicle offers a fascinating window into the art of movie making--as well as painting indelible portraits of the two main men who made Tootsie happen: director Sidney Pollack and star Dustin Hoffman. No movie buff, film historian, student, or fan will want to miss Making Tootsie ., In 1982, two superbly talented and driven men-director Sydney Pollack and actor Dustin Hoffman-collaborated to create what became an enduring classic: a movie about a serious, out-of-work actor who takes on the challenge of playing a woman in a TV soap opera and becomes a better man for it. Hoffman had already dedicated four years to the comedy. Pollack was hot off of Absence of Malice when he chose the project, which had lost two earlier directors, had no final guiding script at the start of production, and was the butt of many Hollywood bad jokes. As the only journalist Pollack and Columbia Pictures permitted on the set and in the editing room, Susan Dworkin, a playwright, award-winning documentary writer, and Ms. magazine contributing editor, conducted in-depth interviews not only with its director and star but also with the costume designer, the film editors, costars Teri Garr, Bill Murray, and Dabney Coleman, and many others. In Making 'Tootsie,' Dworkin captures their voices while describing how the movie became an award-winning box office sensation and the classic motion picture that the American Film Institute rates as number two on its list of the 100 Funniest American Movies of All Time.
LC Classification Number
PS3554.W87
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